Narritjin in Canberra
(eVideo)
Contributors
Published
[San Francisco, California, USA] : National Film and Sound Archive of Australia, 1981., Kanopy Streaming, 2018.
Physical Desc
1 online resource (streaming video file) (39 minutes): digital, .flv file, sound
Status
Description
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Subjects
Other Subjects
More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by National Film and Sound Archive of Australia in 1981.
Description
In 1978 Narritjin Maymuru and his son Banapana were awarded fellowships as Visiting Artists to the Faculty of Arts at the Australian National University in Canberra. For three months they and their families worked in their campus studio.. In the film, Narritjin conducts a seminar for anthropology students. He explains his technique of bark painting and discusses some of the meanings behind the paintings.. At the end of their stay in Canberra, Narritjin and Banapana hold an exhibition of their Manggalili art. Some see the official opening as typical of any art gallery opening night; others may feel a certain ambivalence towards this strange cultural mix. However, for Narritjin, the occasion is simply another opportunity to present his message to a non-Indigenous audience. Furthermore, the exhibition itself establishes him and his son as significant artists within a wider Australian context.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(1981). Narritjin in Canberra . National Film and Sound Archive of Australia.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)1981. Narritjin in Canberra. National Film and Sound Archive of Australia.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Narritjin in Canberra National Film and Sound Archive of Australia, 1981.
MLA Citation, 9th Edition (style guide)Narritjin in Canberra National Film and Sound Archive of Australia, 1981.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
a39f5da7-88c6-07ea-03fc-1c6fd9b7acc0-eng
Grouping Information
Grouped Work ID | a39f5da7-88c6-07ea-03fc-1c6fd9b7acc0-eng |
---|---|
Full title | narritjin in canberra |
Author | national film and sound archive of australia |
Grouping Category | movie |
Last Update | 2023-10-16 15:00:05PM |
Last Indexed | 2024-06-01 04:03:20AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Sep 29, 2023 |
Last Used | May 8, 2024 |
Marc Record
First Detected | Aug 27, 2021 09:16:08 AM |
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Last File Modification Time | Oct 16, 2023 03:04:47 PM |
MARC Record
LEADER | 02324ngm a22003854i 4500 | ||
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264 | 1 | |b National Film and Sound Archive of Australia,|c 1981. | |
264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2018. | |
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306 | |a 003855 | ||
336 | |a two-dimensional moving image|b tdi|2 rdacontent | ||
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500 | |a Title from title frames. | ||
500 | |a Film | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by National Film and Sound Archive of Australia in 1981. | ||
520 | |a In 1978 Narritjin Maymuru and his son Banapana were awarded fellowships as Visiting Artists to the Faculty of Arts at the Australian National University in Canberra. For three months they and their families worked in their campus studio.. In the film, Narritjin conducts a seminar for anthropology students. He explains his technique of bark painting and discusses some of the meanings behind the paintings.. At the end of their stay in Canberra, Narritjin and Banapana hold an exhibition of their Manggalili art. Some see the official opening as typical of any art gallery opening night; others may feel a certain ambivalence towards this strange cultural mix. However, for Narritjin, the occasion is simply another opportunity to present his message to a non-Indigenous audience. Furthermore, the exhibition itself establishes him and his son as significant artists within a wider Australian context. | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Indigenous peoples--Cross-cultural studies. | |
655 | 4 | |a Australian Studies | |
655 | 7 | |a Education films. |2 lcgft | |
710 | 2 | |a National Film and Sound Archive of Australia (Firm),|4 dst | |
710 | 2 | |a Kanopy (Firm),|4 dst | |
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