From Mouse to Mermaid: The Politics of Film, Gender, and Culture
(eBook)

Book Cover
Average Rating
Published
Indiana University Press, 1995.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253116161

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (1995). From Mouse to Mermaid: The Politics of Film, Gender, and Culture . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 1995. From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. From Mouse to Mermaid: The Politics of Film, Gender, and Culture Indiana University Press, 1995.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. From Mouse to Mermaid: The Politics of Film, Gender, and Culture Indiana University Press, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID1c38cf09-4853-c0d2-6339-790b3ab24ce5-eng
Full titlefrom mouse to mermaid the politics of film gender and culture
Authorauthors various
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-06-01 02:31:51AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 19, 2022
Last UsedApr 30, 2024

Hoopla Extract Information

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    [synopsis] => A collection of essays that explicate Disney ideology through fifty-five years of feature films, including Bambi, Beauty and the Beast, Pinocchio, and more.

From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class, the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology.

The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.
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