Stealing the Scream
(eBook)

Book Cover
Average Rating
Published
RunAmok Books, 2019.
Status
Available Online

Description

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Format
eBook
Language
English
ISBN
9781684545988

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Citations

APA Citation, 7th Edition (style guide)

Theodore Carter., & Theodore Carter|AUTHOR. (2019). Stealing the Scream . RunAmok Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Theodore Carter and Theodore Carter|AUTHOR. 2019. Stealing the Scream. RunAmok Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Theodore Carter and Theodore Carter|AUTHOR. Stealing the Scream RunAmok Books, 2019.

MLA Citation, 9th Edition (style guide)

Theodore Carter, and Theodore Carter|AUTHOR. Stealing the Scream RunAmok Books, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID5387a9af-6e4a-cd12-252a-824901757880-eng
Full titlestealing the scream
Authorcarter theodore
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-05-18 03:24:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 9, 2022
Last UsedJun 25, 2023

Hoopla Extract Information

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    [synopsis] => In 2004, masked thieves stole Edvard Munch's The Scream from an Oslo museum. Norwegian police recovered the painting two years later but never explained how or where they'd found it. This 70,000-word literary-leaning, humor-laced, crime novel Stealing The Scream tells what may have happened.
Retired CEO-turned-painter Percival Davenport's criminality starts when, fueled by insecurity, he hires a whiskey-drinking thief to break into museums and hang his paintings. If Percival can pass off his art as museum-quality, he will know he's attained mastery. The "donations" attract the attention of Leonard, a Smithsonian guard and amateur sleuth.
As Leonard begins collecting the unwanted paintings and searching for the artist, Percival's studies intensify. He develops an obsession with Edvard Munch's The Scream and steals it. When Leonard and law enforcement agents come knocking at Percival's door, his Tell-Tale-Heart-like anxiety causes him to turn his mansion, and the famous painting, into a roiling inferno. This forces the police into creative means of art restoration.
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