Hollywood Under Siege : Martin Scorsese, the Religious Right, and the Culture Wars
(eBook)

Book Cover
Average Rating
Published
[Place of publication not identified] : The University Press of Kentucky, [2008].
Physical Desc
1 online resource (410 pages)
Status

Description

MasterClass is the streaming platform that makes it possible for anyone to watch or listen to hundreds of video lessons taught by 150+ of the world’s best.

Whether it be in business and leadership, photography, cooking, writing, acting, music, sports and more, MasterClass delivers a world class online learning experience. Video lessons are available anytime, anywhere on your smartphone, personal computer, Apple TV and FireTV streaming media players. -masterclass.com

Also in this Series

Checking series information...

More Like This

Loading more titles like this title...

More Details

Format
eBook
Language
English
ISBN
9780813173160
UPC
9780813173160

Notes

Restrictions on Access
Access limited to subscribing institutions.
Description
"A behind-the-scenes look at the making of The Last Temptation of Christ and the controversy following its release. In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable?a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures?Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe?to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism. Praise for Hollywood Under Siege "No other book has traced the development of a major motion picture from conception through production to reception with the kind of care and detail that Lindlof does here. Hollywood Under Siege provides valuable insight into the machinery of the film industry, and into the machinations of American culture on a broader front as well." -- Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era and Executive Director of the University of Texas Film Institute "Riveting and accurate. Even though I thought I knew the events, I found myself captured anew." -- Paul Schrader, screenwriter and director "As a study of a landmark moment in American cinema, Lindlof's book is both profound and extremely entertaining." -- Los Angeles Times "Lindlof has meticulously researched the history of the film from its initial optioning to its ultimate fate, up to the present time, successfully placing it into cultural context. Although extremely detailed, the book is readable and eminently instructive." -- Library Journal"--,Provided by Freading.

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Lindlof, T. R. (2008). Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars . The University Press of Kentucky.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lindlof, Thomas R.. 2008. Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars. The University Press of Kentucky.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lindlof, Thomas R.. Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars The University Press of Kentucky, 2008.

MLA Citation, 9th Edition (style guide)

Lindlof, Thomas R.. Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars The University Press of Kentucky, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
0a046bab-659a-d5d1-b69f-74134391e626-eng
Go To Grouped Work

Grouping Information

Grouped Work ID0a046bab-659a-d5d1-b69f-74134391e626-eng
Full titlehollywood under siege martin scorsese the religious right and the culture wars
Authorlindlof thomas r
Grouping Categorybook
Last Update2023-02-02 21:58:30PM
Last Indexed2024-05-25 02:21:38AM

Book Cover Information

Image Sourcecoce_google_books
First LoadedAug 13, 2023
Last UsedAug 13, 2023

Marc Record

First DetectedJan 04, 2022 11:04:29 AM
Last File Modification TimeFeb 02, 2023 10:15:02 PM

MARC Record

LEADER05645nam a22003971i 4500
001frd00045407
003CtWfDGI
00520211209211419.0
006m     o  d        
007cr un ---auuuu
008211201t20082008xx      o     000 0 eng d
020 |a 9780813173160|q (pdf)
020 |z 9780813125176|q (print)
0243 |a 9780813173160
040 |a CtWfDGI|b eng|e rda|c CtWfDGI
050 4|a PN1997.L3443
08204|a 791.43/72|2 23
1001 |a Lindlof, Thomas R.,|e author.
24510|a Hollywood Under Siege :|b Martin Scorsese, the Religious Right, and the Culture Wars /|c Thomas R. Lindlof.
264 1|a [Place of publication not identified] :|b The University Press of Kentucky,|c [2008]
264 4|c ©2008
300 |a 1 online resource (410 pages)
336 |a text|b txt|2 rdacontent
337 |a computer|b c|2 rdamedia
338 |a online resource|b cr|2 rdacarrier
347 |a text file|2 rdaft
347 |b (pdf)
506 |a Access limited to subscribing institutions.
520 |a "A behind-the-scenes look at the making of The Last Temptation of Christ and the controversy following its release. In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable?a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures?Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe?to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism. Praise for Hollywood Under Siege "No other book has traced the development of a major motion picture from conception through production to reception with the kind of care and detail that Lindlof does here. Hollywood Under Siege provides valuable insight into the machinery of the film industry, and into the machinations of American culture on a broader front as well." -- Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era and Executive Director of the University of Texas Film Institute "Riveting and accurate. Even though I thought I knew the events, I found myself captured anew." -- Paul Schrader, screenwriter and director "As a study of a landmark moment in American cinema, Lindlof's book is both profound and extremely entertaining." -- Los Angeles Times "Lindlof has meticulously researched the history of the film from its initial optioning to its ultimate fate, up to the present time, successfully placing it into cultural context. Although extremely detailed, the book is readable and eminently instructive." -- Library Journal"--|c Provided by Freading.
5880 |a Publisher metadata.
60010|a Scorsese, Martin|x Criticism and interpretation.
63000|a Last temptation of Christ (Motion picture)
650 0|a Motion pictures|x Religious aspects|x Christianity.
650 7|a PERFORMING ARTS / Film / History & Criticism.|2 bisacsh
655 0|a Electronic books.
85640|3 Freading|u https://hchlibrary.freading.com/ebooks/details/r:download/MDAxMDE5LTU5Nzk1NTA1|z Click here