Henry Carter Hull

Dracula stalks the stage in this two-act thriller freely adapted from the Bram Stoker novel. Perfect for any company or community looking for a Halloween play requiring a large ensemble cast. (8 Male, 6 female, and 2 children - casting can be flexible) This version of the classic vampre tale focuses on Mina Murray, a suffragette and proto-feminist fighting social mores and facing an encroaching force for evil.Suspenseful, smart, and surprising.Includes...

Cet ouvrage offre un récit inédit de Toronto, ville d'art et de culture traversée par la diversité linguistique. Le contact entre les langues laisse des traces, des documents et des souvenirs, notamment dans le domaine du théâtre auquel l'autrice porte ici toute son attention. En se penchant sur la dynamique matérielle du « voisinage linguistique » qui anime le devant et le derrière de la scène théâtrale, elle décrit le virage médiatique...

La autora explora un enfoque diferente de actuación metódica con énfasis en lo mítico; ofrece una formación actoral sustentada en sus experiencias profesionales como actriz, dramaturga, directora de cine y docente. En el libro presenta indicaciones y formas de interpretar con objeto de que los actores pongan en práctica sus fuentes creativas más profundas.

The first collection of plays by Merlin Goldman. It includes Killing Rainbows (Alma Tavern Theatre, Bordeaux Quay and the White Bear Pub, 2016-17), Our Kid (2016), Tick-Tock and TANK (Alma Tavern Theatre, 2017), A Game of Two Halves (Theatre Royal Bath, 2019), Hit Points (2019), Chainsaw (The King's Arms Theatre, 2020) and Loud Mouth (2016-20). Merlin Goldman (www.magnetical.com) writes about duality, disability, and injustice. He has written plays,...

¿Por qué dos amigas no pueden tirar, por qué no tirar con los maridos o las mujeres de los amigos, por qué no desear a quien no nos desea, por qué no amar y dejarse amar sin condiciones, por qué no enamorar sin estar enamorado, por qué no dormir sin tirar, por qué no tirar sin dormir, por qué no tener una pareja no romántica o no sexual, por qué no amar a más de una persona? Ya lo hacemos, ahora dejémoslo ser. Gabriela Wiener escribe...

Comedy Murder mystery play. Return to the Golden age of the 1940s and the famous night club Chez Mort which was the scene of an unusual crime. As newspapers of the day reported: "Ingenue 'Sweet Sue' Blutowsky was mysteriously and fatally cut short during her debut singing performance. Inspector Constantine was quick on the scene to investigate the strange circumstances surrounding the shocking events. In attendance that night was the infamous hoodlum...

"you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun." On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone-lost in dialogue with mortality, both personal and anthropological....

Apocalypse, Pacific Daylight Time - Armageddon comes to suburbia in this dark comedy about a married couple who awaken to the sounds of imminent war. As Bill and Debra come to grips with impending doom and struggle with ways to survive, they reflect on their lives together, their regrets, and their feelings for one other. • Waiting For Valet - A parody of Beckett's "Waiting for Godot" set in a parking garage. • Dining, First Person Singular -...

The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was...

"Theft" is a political piece set in Washington, DC. A Congressman, Howard Knox, is ready to reveal the corrupt practices of Anthony Starkweather, a wealthy industrialist. To complicate matters, Starkweather's daughter is helping Knox. The play's underlying anti-capitalist theme is also found in some of London's other works. The plot revolves around recovering documents that support Knox's revelations. (Source: Jack London Historic Park)