Dramatization of the rebellion of the sailors on the Russian ship Potemkin in 1905, viewed as a forerunner of the Russian Revolution.

A tale of the battle between good and evil, in which Faust sells his soul to Mephistopheles. From the play by Johann Wolfgang Goeth. Score compiled from historic photoplay music by the Mont Alto Motion Picture Orchestra.

A society woman falls victim to a Burmese ivory trader (Sessue Hayakawa) who intends to brand her for his own. A visually powerful today as when it was made.

The original "Vamp," Theda Bara stars as an exotic temptress who lures a once faithful man away from his wife. Only a handful of Bara's films survive today, but this is the drama for which she is best remembered. The film shocked audiences and brought something unexpected to the silent screen: an unrepentant woman with a voracious sexual appetite.

Before plumbing the depths of horror and despair with such films as Faust and The last laugh, Friedrich Wilhelm Murnau tested the waters with this moody drama of a storm-bound manor and the grim mystery that lurks within.

Louis Feuillade's 5 1/2-hour epic follows Fantômas, the criminal lord of Paris, master of disguise, the creeping assassin in black, as he is pursued by the equally resourceful Inspector Juve and journalist Jerôme Fandor.

Louis Feuillade's 5 1/2-hour epic follows Fantômas, the criminal lord of Paris, master of disguise, the creeping assassin in black, as he is pursued by the equally resourceful Inspector Juve and journalist Jerôme Fandor.

Eighteen of Alfred Hitchcock's early films (1926-1939), and two episodes of his television program (1955-1962). Includes 55 minutes of movie trailers spanning Hitchcock's legendary career.

The genesis of the motion picture medium is vividly recreated in this unprecedented collection of the cinema's formative works. More than crucial historical artifacts, these films reveal the foundation from which the styles and stories of the contemporary cinema would later arise. An animated rendering of Eadweard Muybridge's primitive motion studies (1877-85) begins the program, immediately defining the compound appeal of cinema as both a scientific...

Alice Guy-Blaché (French, 1873-1968), the world's first woman film director, made films for Gaumont in Paris (1896-1907), then had her own studio, the Solax Company in Fort Lee, New Jersey (1910-1914). After Solax ceased production, she became a director for hire and went to work for The International Film Service, owned by William Randolph Hearst. The plot of The Ocean Waif adheres closely to the Hearst agenda: a romantic story, plenty of pathos...