Henry Carter Hull

California PI Kinsey Millhone investigates the death of Audrey Vance, a woman she helped arrest for shoplifting, and antagonizes just about everyone, including Audrey's fiancé, several loan sharks, a stone-cold killer, and a hapless burglar who knows more than is healthy for him.

A woman seeks an explanation for her mother's mysterious disappearance 34 years earlier.

An ex-con turns up dead after he hires Kinsey to locate a kid who'd done him a favor and pass on a check for $25,000.

Private investigator Kinsey Millhone embarks upon a dangerous and revealing excursion into her past when she is contacted by a storage unit scavenger who has found a box of her personal effects, including a letter that forces her to reexamine the breakup of her first marriage.

"The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate--and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state's evidence and two of his peers are convicted. But the ringleader...

Kinsey Millhone, a female private detective, is hired by a wife who did time for her husband's murder to find out who really killed him.

Finding wealthy Elaine Boldt seems like a quickie case to Kinsey Millhone. But Kinsey's case goes from puzzling to sinister, after her bridge partner is found dead.

Kinsey Millhone's grit is tested as she unearths the gruesome truth about a long-buried betrayal and, in the process, comes face-to-face with the grisly fact of her own mortality.

Private investigator Kinsey Millhone puts herself in the gravest danger of her career when she is hired by the widow of Nota Lake detective Tom Newquist to discover what it was that had been bothering Tom in the last six weeks of his life before he died of a heart attack.

In what may be her most unsettling novel to date, Sue Grafton’s T IS FOR TRESPASS is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the perspective of Kinsey Millhone to that of Solana Rojas, introducing listeners to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to...