Henry Carter Hull

No Strangers Here is a fictionalised account of a family of “new Australians” arriving in their new home town. The family (mum, dad, girl and boy) are displaced persons from Northern and Eastern Europe. Produced for the Department of Immigration during the migrant boom that followed World War Two, the film’s essential message is “We want them. We need them”. It presents an idealised Australia, “a happy, smiling land” where people are...

From the early nineteenth century onwards, literally millions of people left their homes to cross the seas. Some, like the convicts transported to Australia, had no choice; others like the indentured Indian and Chinese labourers had almost no alternative; but the vast majority were driven to escape war, famine or grinding poverty in Europe by seeking a new life abroad. Whatever their circumstances and wherever their destination, the one experience...

This book of new research will challenge the traditional narratives of Irish migration, the stories of oppression and exile that form an essential part of the existing literature. It will argue that most of the migrants were not forced by circumstances to leave their country but looked forward to a better life abroad. They were largely opportunists rather than victims, whether financed by the state or by assistance from landlords or philanthropists,...

From the stony streets of Boston to the rail lines of California, from General Relativity to Google, one of the surest truths of our history is the fact that America has been built by immigrants. The phrase itself has become a steadfast campaign line, a motto of optimism and good will, and indeed it is the rallying cry for progressives today who fight against tightening our borders. This is all well and good, Philip Cafaro thinks, for the America...

Shy and unassuming, Eugene shuttles passengers up and down in a manual elevator while he discusses his work, his emigration from Chernobyl, the joys of fatherhood and his recent US citizenship. In a moment of sadness, he wonders whether leaving his job as a journalist in Kiev was really worth it. Then he reassures himself, revealing his dream that some day his self-published novel will become a Hollywood blockbuster. This poetic snapshot takes students...

Discussion of the immigration crisis in America including why America is facing this crisis and what should be done about it.

High above where the Rio Conchos joins the Rio Grande along the Texas-Mexico border, people in this film say the devil has mounted a swing, from which he can effect everything, revealing himself through seemingly unrelated worlds — sacred rituals, corridos, druglords, Pancho Villa, and the tragic killing of 19 year-old boy. Official Selection at the **SXSW Film Festival**.