Helmut Newton: The Bad and the Beautiful.
(eVideo)

Book Cover
Average Rating
Published
[San Francisco, California, USA] : Kino Lorber, 2020., Kanopy Streaming, 2021.
Physical Desc
1 online resource (streaming video file) (89 minutes): digital, .flv file, sound
Status

Description

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Format
eVideo
Language
English

Notes

General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Anna Wintour, Charlotte Rampling, Claudia Schiffer, Grace Jones, Isabella Rossellini
Date/Time and Place of Event
Originally produced by Kino Lorber in 2020.
Description
One of the great masters of photography, Helmut Newton made a name for himself exploring the female form, and his cult status continues long after his tragic death in a Los Angeles car crash in 2004. Newton worked around the globe, from Singapore to Australia to Paris to Los Angeles, but Weimar Germany was the visual hallmark of his work. Newton's unique and striking way of depicting women has always posed the question: did he empower his subjects or treat them as sexual objects? Through candid interviews with Grace Jones, Charlotte Rampling, Isabella Rossellini, Anna Wintour, Claudia Schiffer, Marianne Faithfull, Hanna Schygulla, Nadja Auermann, and Newton's wife June (a.k.a. photographer Alice Springs), this documentary captures his legacy and seeks to answer questions about the themes at the core of his life's work – creating provocative and subversive images of women. The film also features Newton’s own home movies, archival footage (including a pointed exchange with Susan Sontag) and, of course, scores of iconic Newton photographs. The result: a wildly entertaining portrait of a controversial genius.
System Details
Mode of access: World Wide Web.

Citations

APA Citation, 7th Edition (style guide)

von Boehm, G., Wintour, A., Rampling, C., Schiffer, C., Jones, G., & Rossellini, I. (2020). Helmut Newton: The Bad and the Beautiful . Kino Lorber.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gero, von Boehm et al.. 2020. Helmut Newton: The Bad and the Beautiful. Kino Lorber.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gero, von Boehm et al.. Helmut Newton: The Bad and the Beautiful Kino Lorber, 2020.

MLA Citation, 9th Edition (style guide)

von Boehm, Gero,, et al. Helmut Newton: The Bad and the Beautiful Kino Lorber, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
f21c9517-9296-a3ad-c452-e365d5dd43a5-eng
Go To Grouped Work

Grouping Information

Grouped Work IDf21c9517-9296-a3ad-c452-e365d5dd43a5-eng
Full titlehelmut newton the bad and the beautiful
Authorkino lorber
Grouping Categorymovie
Last Update2023-10-16 15:00:05PM
Last Indexed2024-04-17 05:00:23AM

Book Cover Information

Image Sourcesideload
First LoadedJun 17, 2023
Last UsedDec 31, 2023

Marc Record

First DetectedAug 27, 2021 09:18:06 AM
Last File Modification TimeOct 16, 2023 03:08:09 PM

MARC Record

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520 |a One of the great masters of photography, Helmut Newton made a name for himself exploring the female form, and his cult status continues long after his tragic death in a Los Angeles car crash in 2004. Newton worked around the globe, from Singapore to Australia to Paris to Los Angeles, but Weimar Germany was the visual hallmark of his work. Newton's unique and striking way of depicting women has always posed the question: did he empower his subjects or treat them as sexual objects? Through candid interviews with Grace Jones, Charlotte Rampling, Isabella Rossellini, Anna Wintour, Claudia Schiffer, Marianne Faithfull, Hanna Schygulla, Nadja Auermann, and Newton's wife June (a.k.a. photographer Alice Springs), this documentary captures his legacy and seeks to answer questions about the themes at the core of his life's work – creating provocative and subversive images of women. The film also features Newton’s own home movies, archival footage (including a pointed exchange with Susan Sontag) and, of course, scores of iconic Newton photographs. The result: a wildly entertaining portrait of a controversial genius.
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