Crookhat and the Kulunada.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, 22 min. 50 sec.) : digital, stereo., sound, color.
Status
Description
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Format
eVideo
Language
English
Notes
General Note
Please be aware that viewing this streamed video off-campus may affect your download limits.
Creation/Production Credits
Executive producer: Ray Lillis.
Creation/Production Credits
Director, sound recordist: David Tranter ; producer, Tanya Fraser.
Date/Time and Place of Event
Originally produced by Ronin Films in 2010.
Description
David Tranter continues his series of outstanding films which document the Dreaming stories and history of his Alyawarr heritage. As in Tranters other films - Boomerang Today, Crookhat and Camphoo, Karlu Karlu and Willaberta Jack - the stories are told by Elders in the community. In this case three old men, Donald (Crookhat) Akemarr Thompson, Alec Apetyarr Peterson and Casey Akemarr Holmes travel by four-wheel drive out to a surprising strip of green bush in the desert, where a permanent spring feeds a large waterhole. We listen to their stories as they prepare their camp: stories rich in knowledge of the place and its history. They tell both the Dreamtime stories of the Rainbow Serpent, Kulunada, which lived in the waterhole, and also the violent past of the white settlement of the area. The ruins of a white homestead beside the waterhole evoke stories of the white mans clash with the Kulunada, and also the shooting of an Aboriginal stockman by the station manager. As Crookhat tells the stories, he is corrected and prompted by the others. As Tranter explains, “the reason we have a narrator and a witness to tell the story is so the story is told the right way.” For Tranter, the quiet, reflective style of his films is “to be simple and straight in the same way that our old people tell their stories. You cant bend the story or change it to try and make it fit a format. It has to be told straight.” Through his films he can “show the way our old people pass on our stories. I believe its important to add them to our archive”. “Nobody is more adept than David Tranter at coaxing the real depth of these stories from his subjects. The observational approach highlights the absolute comfort of these old men in their own country.” - Ray Lillis, Executive producer.
Original Version
Originally produced,Mitchell, ACT., Ronin Films, c2010.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Fraser, T., & Lillis, R. (2014). Crookhat and the Kulunada . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Fraser, Tanya and Ray. Lillis. 2014. Crookhat and the Kulunada. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Fraser, Tanya and Ray. Lillis. Crookhat and the Kulunada Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Fraser, Tanya., and Ray Lillis. Crookhat and the Kulunada Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
dd312bd4-d990-5c39-f836-5c243175bd25-eng
Grouping Information
| Grouped Work ID | dd312bd4-d990-5c39-f836-5c243175bd25-eng |
|---|---|
| Full title | crookhat and the kulunada |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2023-10-16 15:00:05PM |
| Last Indexed | 2024-05-04 04:27:50AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Aug 9, 2023 |
| Last Used | Aug 15, 2023 |
Marc Record
| First Detected | Aug 27, 2021 09:13:18 AM |
|---|---|
| Last File Modification Time | Oct 16, 2023 03:00:11 PM |
MARC Record
| LEADER | 03570cgm a2200481 i 4500 | ||
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| 246 | 0 | 3 | |a Crookhat & the Kulunada |
| 264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2014. | |
| 300 | |a 1 online resource (1 video file, 22 min. 50 sec.) :|b digital, stereo., sound, color. | ||
| 336 | |a two-dimensional moving image|2 rdacontent | ||
| 337 | |a computer|2 rdamedia | ||
| 338 | |a online resource|2 rdacarrier | ||
| 344 | |a digital | ||
| 347 | |a video file|b MPEG-4|b Flash | ||
| 490 | 1 | |a CAAMA Collection | |
| 500 | |a Please be aware that viewing this streamed video off-campus may affect your download limits. | ||
| 508 | |a Executive producer: Ray Lillis. | ||
| 508 | |a Director, sound recordist: David Tranter ; producer, Tanya Fraser. | ||
| 518 | |a Originally produced by Ronin Films in 2010. | ||
| 520 | |a David Tranter continues his series of outstanding films which document the Dreaming stories and history of his Alyawarr heritage. As in Tranters other films - Boomerang Today, Crookhat and Camphoo, Karlu Karlu and Willaberta Jack - the stories are told by Elders in the community. In this case three old men, Donald (Crookhat) Akemarr Thompson, Alec Apetyarr Peterson and Casey Akemarr Holmes travel by four-wheel drive out to a surprising strip of green bush in the desert, where a permanent spring feeds a large waterhole. We listen to their stories as they prepare their camp: stories rich in knowledge of the place and its history. They tell both the Dreamtime stories of the Rainbow Serpent, Kulunada, which lived in the waterhole, and also the violent past of the white settlement of the area. The ruins of a white homestead beside the waterhole evoke stories of the white mans clash with the Kulunada, and also the shooting of an Aboriginal stockman by the station manager. As Crookhat tells the stories, he is corrected and prompted by the others. As Tranter explains, “the reason we have a narrator and a witness to tell the story is so the story is told the right way.” For Tranter, the quiet, reflective style of his films is “to be simple and straight in the same way that our old people tell their stories. You cant bend the story or change it to try and make it fit a format. It has to be told straight.” Through his films he can “show the way our old people pass on our stories. I believe its important to add them to our archive”. “Nobody is more adept than David Tranter at coaxing the real depth of these stories from his subjects. The observational approach highlights the absolute comfort of these old men in their own country.” - Ray Lillis, Executive producer. | ||
| 534 | |p Originally produced|c Mitchell, ACT., Ronin Films, c2010. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 650 | 0 | |a Aboriginal Australians|x Social life and customs. | |
| 650 | 0 | |a Aboriginal Australians|v Folklore. | |
| 700 | 1 | |a Fraser, Tanya. | |
| 700 | 1 | |a Lillis, Ray. | |
| 710 | 2 | |a Kanopy (Firm) | |
| 830 | 0 | |a CAAMA collection. | |
| 856 | 4 | 0 | |u https://hchlibrary.kanopy.com/node/60702|z A Kanopy streaming video |
| 856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/60702/external-image |