The eye. Julian Opie.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 27 min.) : digital, .flv file, sound
Status
Description
MasterClass is the streaming platform that makes it possible for anyone to watch or listen to hundreds of video lessons taught by 150+ of the world’s best.
Whether it be in business and leadership, photography, cooking, writing, acting, music, sports and more, MasterClass delivers a world class online learning experience. Video lessons are available anytime, anywhere on your smartphone, personal computer, Apple TV and FireTV streaming media players. -masterclass.com
Whether it be in business and leadership, photography, cooking, writing, acting, music, sports and more, MasterClass delivers a world class online learning experience. Video lessons are available anytime, anywhere on your smartphone, personal computer, Apple TV and FireTV streaming media players. -masterclass.com
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2006.
Description
"I often feel that trying to make something realistic is the one criteria I can feel fairly sure of. Another one I sometimes use is, would I like to have it in my room? And I occasionally use the idea, if God allowed you to show him one thing to judge you by, would this really be it?" Julian Opie's highly distinctive depictions of the modern world are created in an extraordinary variety of media. His bold portraits, subtle landscapes, unconventional wallpaper, playful sculptures of animals, buildings and cars, computer films and much more present simplified and iconic versions of the contemporary environment. In a richly-illustrated interview ranging from his cut-metal sculptures of the early 1980s to the cool minimalism of his cover art for the best of blur CD, Julian Opie reflects on his ways of working, on exposing art in unconventional surroundings, on his sense of the world around him, and on his use of computers which today allow him not to have to construct any of his artworks in the traditional way.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
a76b1400-29e6-1fa6-3aa8-bf16c2f3420f-eng
Grouping Information
| Grouped Work ID | a76b1400-29e6-1fa6-3aa8-bf16c2f3420f-eng |
|---|---|
| Full title | eye julian opie |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-06-15 00:39:52AM |
| Last Indexed | 2024-06-01 04:06:33AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Apr 9, 2024 |
| Last Used | May 17, 2024 |
Marc Record
| First Detected | Aug 27, 2021 09:13:09 AM |
|---|---|
| Last File Modification Time | Oct 08, 2021 04:20:31 PM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by Illuminations Media in 2006. | ||
| 520 | |a "I often feel that trying to make something realistic is the one criteria I can feel fairly sure of. Another one I sometimes use is, would I like to have it in my room? And I occasionally use the idea, if God allowed you to show him one thing to judge you by, would this really be it?" Julian Opie's highly distinctive depictions of the modern world are created in an extraordinary variety of media. His bold portraits, subtle landscapes, unconventional wallpaper, playful sculptures of animals, buildings and cars, computer films and much more present simplified and iconic versions of the contemporary environment. In a richly-illustrated interview ranging from his cut-metal sculptures of the early 1980s to the cool minimalism of his cover art for the best of blur CD, Julian Opie reflects on his ways of working, on exposing art in unconventional surroundings, on his sense of the world around him, and on his use of computers which today allow him not to have to construct any of his artworks in the traditional way. | ||
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