The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters
(eBook)
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Format
eBook
Language
English
ISBN
9781841503479
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Citations
APA Citation, 7th Edition (style guide)
Rimgaila Salys., & Rimgaila Salys|AUTHOR. (2009). The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters . Intellect Books.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Rimgaila Salys and Rimgaila Salys|AUTHOR. 2009. The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters. Intellect Books.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Rimgaila Salys and Rimgaila Salys|AUTHOR. The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters Intellect Books, 2009.
MLA Citation, 9th Edition (style guide)Rimgaila Salys, and Rimgaila Salys|AUTHOR. The Musical Comedy Films of Grigorii Aleksandrov: Laughing Matters Intellect Books, 2009.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
| Grouped Work ID | fe1fa972-f067-14ee-0d1c-fde2f818c847-eng |
|---|---|
| Full title | musical comedy films of grigorii aleksandrov laughing matters |
| Author | salys rimgaila |
| Grouping Category | book |
| Last Update | 2024-03-07 02:01:08AM |
| Last Indexed | 2024-04-27 05:37:45AM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Apr 26, 2023 |
| Last Used | Jul 28, 2023 |
Hoopla Extract Information
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[synopsis] => Grigorii Aleksandrov's musical comedy films, created with composer Isaak Dunaevskii, were the most popular Russian cinema of the 1930s and '40s. Drawing on studio documents, press materials, and interviews with surviving film crew members, The Musical Comedy Films of Grigorii Aleksandrov presents the untold production history of the films. Salys explores how Aleksandrov's cinema preserved the paradigms of the American musical, including its comedic tradition, using both to inscribe the foundation myths of the Stalin era in the national consciousness. As the first major study to situate these films in the cultural context of the era, this book will be essential to courses on Russian cinema and Soviet culture.
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