Real Objects in Unreal Situations: Modern Art in Fiction Films
(eBook)

Book Cover
Average Rating
Published
Intellect Books, 2014.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781783202492

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Citations

APA Citation, 7th Edition (style guide)

Susan Felleman., & Susan Felleman|AUTHOR. (2014). Real Objects in Unreal Situations: Modern Art in Fiction Films . Intellect Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Susan Felleman and Susan Felleman|AUTHOR. 2014. Real Objects in Unreal Situations: Modern Art in Fiction Films. Intellect Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Susan Felleman and Susan Felleman|AUTHOR. Real Objects in Unreal Situations: Modern Art in Fiction Films Intellect Books, 2014.

MLA Citation, 9th Edition (style guide)

Susan Felleman, and Susan Felleman|AUTHOR. Real Objects in Unreal Situations: Modern Art in Fiction Films Intellect Books, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID400a0e8a-cad2-a48e-2106-cb15925ba3c5-eng
Full titlereal objects in unreal situations modern art in fiction films
Authorfelleman susan
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-06-26 02:46:22AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 8, 2023
Last UsedJun 19, 2024

Hoopla Extract Information

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    [synopsis] => Real Objects in Unreal Situations is a lucid account of a much-neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political and personal realities that situate the artworks, Susan Felleman offers an incisive account of how they operate not as mere objects but as powerful players within the films, thereby exceeding the narrative function of props, copies, pastiches or reproductions. The book consists of a series of interconnected case studies of movies, including The Trouble with Harry, An Unmarried Woman, The Player and Pride & Prejudice, among others, ultimately showing that when real art works enter into fiction films, they often embody themes and discourses in ways that other objects cannot.
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