Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960
(eBook)

Book Cover
Average Rating
Published
Indiana University Press, 2017.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253026446

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2017). Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2017. Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 Indiana University Press, 2017.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 Indiana University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID86a90568-2bd0-6db7-56ec-3885dfe7e3e5-eng
Full titleamateur movie making aesthetics of the everyday in new england film 1915 1960
Authorauthors various
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-05-18 04:07:02AM

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    [synopsis] => A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.
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