Trickster Theatre: The Poetics of Freedom in Urban Africa
(eBook)

Book Cover
Average Rating
Published
Indiana University Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253016591

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Citations

APA Citation, 7th Edition (style guide)

Jesse Weaver Shipley., & Jesse Weaver Shipley|AUTHOR. (2015). Trickster Theatre: The Poetics of Freedom in Urban Africa . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jesse Weaver Shipley and Jesse Weaver Shipley|AUTHOR. 2015. Trickster Theatre: The Poetics of Freedom in Urban Africa. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jesse Weaver Shipley and Jesse Weaver Shipley|AUTHOR. Trickster Theatre: The Poetics of Freedom in Urban Africa Indiana University Press, 2015.

MLA Citation, 9th Edition (style guide)

Jesse Weaver Shipley, and Jesse Weaver Shipley|AUTHOR. Trickster Theatre: The Poetics of Freedom in Urban Africa Indiana University Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDeef53bdf-a6e4-f5ac-4226-7909be86d627-eng
Full titletrickster theatre the poetics of freedom in urban africa
Authorshipley jesse weaver
Grouping Categorybook
Last Update2024-04-19 21:24:31PM
Last Indexed2024-05-04 04:38:05AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 22, 2023
Last UsedMay 3, 2024

Hoopla Extract Information

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    [synopsis] => Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustler who stands at the crossroads between personal desires and collective obligations. Shipley examines the interplay between on-stage action and off-stage events to show how trickster theatre shapes an evolving urban world.
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