African Music, Power, and Being in Colonial Zimbabwe
(eBook)

Book Cover
Average Rating
Published
Indiana University Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253018090

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Citations

APA Citation, 7th Edition (style guide)

Mhoze Chikowero., & Mhoze Chikowero|AUTHOR. (2015). African Music, Power, and Being in Colonial Zimbabwe . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mhoze Chikowero and Mhoze Chikowero|AUTHOR. 2015. African Music, Power, and Being in Colonial Zimbabwe. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mhoze Chikowero and Mhoze Chikowero|AUTHOR. African Music, Power, and Being in Colonial Zimbabwe Indiana University Press, 2015.

MLA Citation, 9th Edition (style guide)

Mhoze Chikowero, and Mhoze Chikowero|AUTHOR. African Music, Power, and Being in Colonial Zimbabwe Indiana University Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID1b6e74b3-7fe9-612a-8063-bb5857a11cc4-eng
Full titleafrican music power and being in colonial zimbabwe
Authorchikowero mhoze
Grouping Categorybook
Last Update2024-05-15 02:01:00AM
Last Indexed2024-05-18 02:36:53AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 29, 2023
Last UsedMay 3, 2024

Hoopla Extract Information

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    [synopsis] => In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.
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