Interrupted Aria
(eAudiobook)

Book Cover
Average Rating
Published
Blackstone Publishing, 2013.
Status
Available Online

Description

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Physical Description
9h 32m 0s
Format
eAudiobook
Language
English
ISBN
9781982403225

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Citations

APA Citation, 7th Edition (style guide)

Beverle Graves Myers., Beverle Graves Myers|AUTHOR., & Geoffrey Blaisdell|READER. (2013). Interrupted Aria . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Beverle Graves Myers, Beverle Graves Myers|AUTHOR and Geoffrey Blaisdell|READER. 2013. Interrupted Aria. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Beverle Graves Myers, Beverle Graves Myers|AUTHOR and Geoffrey Blaisdell|READER. Interrupted Aria Blackstone Publishing, 2013.

MLA Citation, 9th Edition (style guide)

Beverle Graves Myers, Beverle Graves Myers|AUTHOR, and Geoffrey Blaisdell|READER. Interrupted Aria Blackstone Publishing, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID02a4fafb-682f-f069-2c73-77009e182610-eng
Full titleinterrupted aria
Authormyers beverle graves
Grouping Categorybook
Last Update2024-03-07 02:01:08AM
Last Indexed2024-03-27 02:03:32AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 28, 2023
Last UsedJan 20, 2024

Hoopla Extract Information

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    [synopsis] => Venice, the dazzling city on the lagoon, is sailing toward the ruin of her maritime empire, determined to go down in a maelstrom of pleasure, music, and masquerade. Venice, 1731. Opera is the popular entertainment of the day, and the castrati are its reigning stars. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed. Disaster strikes Tito's opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchant-aristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer. The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theater's ruin. With Carnival gaiety swirling around him and rousing Venetian passions in an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends.
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