One of the middle or transitional dialogues of the ancient Greek philosopher Plato, "Gorgias" depicts a dinner gathering attended by Socrates and a group of sophists. Gorgias, a foreigner, has been drawn to Athens by its cultural and intellectual sophistication. In this dialogue Plato contrasts Gorgias, the rhetorician, with Socrates, the philosopher, whose differing specialties are persuasion and refutation, respectively. As Plato delves into arguments...

Timaeus is one of Plato's dialogues, mostly in the form of a long monologue given by the title character. The work puts forward speculation on the nature of the physical world and human beings. It is followed by the dialogue Critias. Critias, one of Plato's late dialogues, it contains the story of the mighty island kingdom Atlantis and its attempt to conquer Athens. Critias is the second of a projected trilogy of dialogues, preceded by Timaeus...

An award-winning public reader of Homer discusses poetry and the nature of performance with the probing and insightful Socrates in Plato's immortal dialogue. Ion, a professional rhapsode, performer of dramatic recitations of Homer and lecturer on poetry, has a revealing discussion with Socrates. Acclaimed for the power of his performances, Ion becomes so involved in performing that he feels the emotions described in his story and expects them to...

Republic, by Plato, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: • New introductions commissioned from todays top writers and scholars • Biographies of the authors • Chronologies of contemporary historical,...

Parmenides (Greek: Παρμενίδης) is one of the dialogues of Plato. It is widely considered to be one of the more, if not the most, challenging and enigmatic of Plato's dialogues. The Parmenides purports to be an account of a meeting between the two great philosophers of the Eleatic school, Parmenides and Zeno of Elea, and a young Socrates. The occasion of the meeting was the reading by Zeno of his treatise defending Parmenidean monism against...

The Sophist is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. In it the interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differentia vis a vis the philosopher and statesman. Like its sequel, the Statesman, the dialogue is unusual in that Socrates is present but plays only a minor role. Instead, the Eleatic...

The Philebus appears to be one of the later writings of Plato, in which the style has begun to alter, and the dramatic and poetical element has become subordinate to the speculative and philosophical. In the development of abstract thought great advances have been made on the Protagoras or the Phaedrus, and even on the Republic. But there is a corresponding diminution of artistic skill, a want of character in the persons, a laboured march in the dialogue,...

Plato's "Phaedrus" is a dialogue between Phaedrus and the great Greek philosopher Socrates. Phaedrus has been spending the morning with Lysias, the celebrated rhetorician, and is going to refresh himself by taking a walk outside the wall, when he is met by Socrates, who professes that he will not leave him until he has delivered up the speech with which Lysias has regaled him, and which he is carrying about in his mind, or more probably in a book...

Socrates, as he is younger than either Nicias or Laches, prefers to wait until they have delivered their opinions, which they give in a characteristic manner. Nicias, the tactician, is very much in favour of the new art, which he describes as the gymnastics of war-useful when the ranks are formed, and still more useful when they are broken; creating a general interest in military studies, and greatly adding to the appearance of the soldier in the...

The Menexenus has more the character of a rhetorical exercise than any other of the Platonic works. The writer seems to have wished to emulate Thucydides, and the far slighter work of Lysias. In his rivalry with the latter, to whom in the Phaedrus Plato shows a strong antipathy, he is entirely successful, but he is not equal to Thucydides. The Menexenus, though not without real Hellenic interest, falls very far short of the rugged grandeur and political...