How do the suspense films of Alfred Hitchcock, Orson Welles, and Carol Reed allow us special insight into the popular mentality of their contemporaries-contemporaries who went to war against the forces of Adolf Hitler? How did midcentury films that fetishized clocks and time-keeping devices as diverse as Peter Pan, High Noon, Rear Window, Shadow of a Doubt, The Stranger, and Odd Man Out produce unique experiences that invited audiences to literally...